'behind the scenes' Category

Simon Mackney’s 13-hour day with the British Bobsleigh Team

crop_380-1384962741-2_simonmackneyHere’s a behind the scenes video of Simon Mackney using Plus III Transceivers to photograph the British Bobsleigh team as well as a written account in Simon Mackney’s own words.  Mackney is professional photographer based out of Derbyshire, UK.

“The coach of the Great Britain Bobsleigh team came to us because they wanted images that weren’t your standard boring, normal promotional images.  They already had plenty of those and they were looking for something different.  So we came up with the idea of shooting the athletes with a super hero, film poster kind of style in mind.  We wanted a strong, confident, proud, inspirational, dark, edgy, moody style/look.

The images will be used for a variety of promotional pieces leading up to and during the 2014 Olympics in Sochi.  We used PocketWizard Plus III radios with a Paul C. Buff Einstein E640 studio fast flash duration flash units.  With the combination of the PocketWizard radios, the Einstein E640, the Nikon D4 at 11 frames a second and the fast flash duration, we were able to get the shot we wanted.  The guys busting out of the stock, which we used with Bruce Tasker crashing out of the ice shards, we would not have been able to get the shots without the combo. The PocketWizard radios never let us down and they work really well with all our gear.

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© Simon Mackney

 

© Simon Mackney

© Simon Mackney

 

© Simon Mackney

© Simon Mackney

 

© Simon Mackney

© Simon Mackney

 

© Simon Mackney

© Simon Mackney

 

Massive thanks to the Great British Bobsleigh athletes Bruce Tasker, John Jackson “Jacko”, Joel Fearon, and Stuart Benson. We had a great, 13-hour long day shoot with the guys at the fantastic 2,200 square foot, drive-in Darley Abbey Photographic Studios.  The shots were taken by Simon Mackney and then edited by Simon and the Mackney team.”

Additional thanks for the following:
Video: Thom our Assistant
Music: Our good friend Artist: rotary; Title: scientific www.soundcloud.com/rotary

And the Mackney Team

Equipment used:
PocketWizard Plus III Transceivers
Paul C. Buff – Einstein E640 to freeze the action and motion
Nikon D4 and Nikon D800E
Capture one, tethered and linked to ipad

Links:
http://simonmackney.com
https://www.facebook.com/MackneyPhoto...
http://www.johnsons-photopia.co.uk
https://www.facebook.com/johnsonsphot…
http://pocketwizard.co.uk
http://www.bobteamgb.org

PocketWizard radios are distributed in the UK by JP Distribution.

All images, videos, and quotes in this post are used with permission and © Simon Mackney, all rights reserved; story is ©PocketWizard. Please respect and support photographers’ rights. Feel free to link to this blog post, but please do not replicate or repost elsewhere without written permission.

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What’s up Pussycat? Özkan Özmen goes on a Portrait Safari

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Özkan Özmen at work

Özkan Özmen is a portrait photographer based in Frankfurt Germany with a penchant for photographing subjects that can bite your head off. No, we’re not talking about models and celebrities with attitude here. We’re talking lions, tigers, and rhinos. As Dorothy famously said to the tin man… “Oh MY!”

According to Özkan, he’s always been into things that crawl, chirp, growl, and purr, and it wasn’t long after he began taking shooting studio portraits for a living that he decided to put together a compact lighting kit and try his luck outside of the comforts and convenience of his studio. Özkan Ozmen’s personal project ultimately took him on a multi-continent journey in which he’s captured wonderful portraits of the sort of wildlife most of us only see in zoo and safari parks, though seldom as in-your-face.

Özkan understood the logistics – not to mention danger involved in trying to capture tight portraits of wild animals using lights. Still and all, rather than being technically boxed in by the harsh ambient lighting conditions common to shooting in the extreme locales he planned on visiting, his goal was to light his subjects and select-focus at wider lens apertures similar to the way he would when shooting portraits in his studio.

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Josh Ross Creates a Liquid Apple

The third installment of our series on Josh Ross has just been completed. Previously, Part One and Part Two. Here, in his own words, is how Ross put together his most ambitious product shot, liquid, this time, in three dimensions.

©Josh Ross

©Josh Ross


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Making Waves, 06 December 2013

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Making Waves
 is a weekly round-up of current posts featuring PocketWizard products.

SLR Lounge’s, Michelle Ford did a review of the PlusX  and we are excited to say that it received 5 out of 5 stars.  Here is the complete video reviewNote: The PlusX was released in February 2013

PlusXcamera

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BTS: Brandon Lyon & Pentatonix

Hello, my name is Brandon Lyon, I am a commercial portrait and fashion photographer. I work out of Dallas, Texas and I am excited to write my first article for the PocketWizard Blog. I grew up as an only child so I mostly lived inside my imagination, creating stories and characters to entertain me. I also really enjoyed reading. I craved the feeling of falling into a book for hours on end and losing yourself to a different time and place. We didn’t travel much so this was how I got away. I particularly loved science fiction and fantasy. The world was what you wanted it to be, and the rules could be different.

I wanted to share a recent project I shot for the musical group Pentatonix. They are an a cappella group of five vocalists that gained success after winning season three of NBC’s The Sing-Off and are currently dominating YouTube and the world with their fresh and unique arrangements of mainstream music from pop to hip-hop and electronic music.

Photo: © Brandon Lyon

Photo: © Brandon Lyon

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Justin Van Leeuwen’s Distance Test Shoot

Photographer Justin Van Leeuwen of Ottawa, Ontario shoots some great commercial interiors, but his true passion is people. Environmental portraiture is where he really shines, doing his best to catch an individual’s entire personality in just one frame. Here’s his account of an exciting outdoor photo test he undertook.

©Justin Van Leeuwen

©Justin Van Leeuwen

Sometimes we take photos just because we can.

I was walking around the Ottawa River with the Canon 200-400mm f/4 L IS 1.4x Extender, testing it for my review on canonrumors.com. With such a long telephoto reach, one that I’m not typically used to, I started looking, and seeing, things in areas I hadn’t before. This included a really cool cliff opposite Ottawa’s Parliament on the Quebec side. It was covered in graffitti, which meant it was also accessible. It gave me the idea to try to take a really cool and unique shot; a portrait from across the river from Ottawa to Hull, Ontario to Quebec — an interprovincial photo shoot.

I went home to brainstorm the logistics of the shoot. I knew the lighting would be contrasty and unflattering during the day (as it is) which would move the shoot closer to dusk and sunset. I had never been to the cliffs either, and since I would be on one side of the river to take the shots, whoever I would send out there would be on their own. That didn’t sit well with me, so I knew I would have to enlist one or two volunteers as assistants as added security. I also knew I wanted to light it, because taking a photo from 1600 feet away isn’t hard enough, I wanted to do something different and make the image pop.

How are we going to light someone that far away? I know my Canon ST-E3-RT system can’t go that far, neither can my Elinchrom Skyports. I had just read about PocketWizard radios new Plus III Transceiver’s, that not only had a “long range” option, but also offered a relay mode to piggy-back the signal from one PocketWizard radio to the next. I did a little Google Map math, and figured the direct line from camera to location (about 1600 feet) was a bit too close to push the max range on a set of transceivers, which is rated at 1600 feet. Adding a relay point on a conveniently placed island would cut that distance in half and should assure us a successful flash trigger.

©Justin Van Leeuwen

©Justin Van Leeuwen

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Dom Romney on the Road

We’ve looked at the exciting work of Dom Romney previously. It seems like his love of American cars remains undaunted. Here’s some very cool behind-the-scenes photos which accompany Dom’s story of how he got the final shot, in his own words.

©Dom Romney

©Dom Romney

This technique is fairly unusual. What you do is mount the camera to the car, roll the car along the road, and then—when it’s moving—trigger the camera with a long exposure to give the concept of moving with speed.

To create the illusion of speed is difficult. When I shoot, it’s normally just me and a driver. I have to push the car, so I use the PocketWizard to fire the camera while I’m busy pushing. Below is the unedited picture showing the rig, and also me pushing, to give a better idea of how its done.

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Remote Camera Mountain Bike #Selfies

Whistler, BC-based photographer Dan Carr’s work has been featured in ski and snowboard magazines from Japan to Canada and everywhere in between.  During the winter you will find him shooting alongside the world’s top snow sports athletes and film companies in the never ending quest for perfect images.  After a summer season of improving his mountain bike skills, Dan steps in front of the camera and remotely fires off some images. Here’s how he did it in his own words.

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iso800, f/6.3, 1/320

As summer drew to a close in Whistler, British Columbia, I was about ready to pack the bike away and dust my skis off when I had an idea……
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Making Waves, November 15th, 2013

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After a little “vacation” our Making Waves weekly round-up is back.  Here are a few recent posts that we have come across that feature PocketWizard products.

 

UK based, Jayce Clarke Photo School captures up to 1/2000th easily with the PocketWizard Plus III on the streets in one of their recent blog posts.

Photo: © Jayce Clark Photography

Photo: © Jayce Clarke Photography

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John Flury’s Deliverance of the Luminous People

Photographer John Flury of Zurich, Switzerland takes us through his own wonderful account of how he created the below final image, from concept to final crew wrap photo.

©John Flury

©John Flury

Telling a Story with a Single Picture
Hello, fellow photon hunters, my name is John Flury, I’m a photographer/photo designer from Zurich, Switzerland, and this is my very first article for the PocketWizard blog. My professional background is in commercial and fine art photography, with the occasional wedding gig. But I’ve always had a passion for stories, especially fictional ones. As a kid, I loved to draw, paint, write stories and record them on tape. The love for creation of alternative worlds, where you could slip off to and go on imaginary adventures, has never quite left me. Which is why in every photo project I work on, I try to keep true to myself and what I most love to do, telling stories.

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