Making Waves is a weekly round-up of current posts featuring PocketWizard products.
'behind the scenes' Category
Hello, my name is Brandon Lyon, I am a commercial portrait and fashion photographer. I work out of Dallas, Texas and I am excited to write my first article for the PocketWizard Blog. I grew up as an only child so I mostly lived inside my imagination, creating stories and characters to entertain me. I also really enjoyed reading. I craved the feeling of falling into a book for hours on end and losing yourself to a different time and place. We didn’t travel much so this was how I got away. I particularly loved science fiction and fantasy. The world was what you wanted it to be, and the rules could be different.
I wanted to share a recent project I shot for the musical group Pentatonix. They are an a cappella group of five vocalists that gained success after winning season three of NBC’s The Sing-Off and are currently dominating YouTube and the world with their fresh and unique arrangements of mainstream music from pop to hip-hop and electronic music.
Photographer Justin Van Leeuwen of Ottawa, Ontario shoots some great commercial interiors, but his true passion is people. Environmental portraiture is where he really shines, doing his best to catch an individual’s entire personality in just one frame. Here’s his account of an exciting outdoor photo test he undertook.
Sometimes we take photos just because we can.
I was walking around the Ottawa River with the Canon 200-400mm f/4 L IS 1.4x Extender, testing it for my review on canonrumors.com. With such a long telephoto reach, one that I’m not typically used to, I started looking, and seeing, things in areas I hadn’t before. This included a really cool cliff opposite Ottawa’s Parliament on the Quebec side. It was covered in graffitti, which meant it was also accessible. It gave me the idea to try to take a really cool and unique shot; a portrait from across the river from Ottawa to Hull, Ontario to Quebec — an interprovincial photo shoot.
I went home to brainstorm the logistics of the shoot. I knew the lighting would be contrasty and unflattering during the day (as it is) which would move the shoot closer to dusk and sunset. I had never been to the cliffs either, and since I would be on one side of the river to take the shots, whoever I would send out there would be on their own. That didn’t sit well with me, so I knew I would have to enlist one or two volunteers as assistants as added security. I also knew I wanted to light it, because taking a photo from 1600 feet away isn’t hard enough, I wanted to do something different and make the image pop.
How are we going to light someone that far away? I know my Canon ST-E3-RT system can’t go that far, neither can my Elinchrom Skyports. I had just read about PocketWizard radios new Plus III Transceiver’s, that not only had a “long range” option, but also offered a relay mode to piggy-back the signal from one PocketWizard radio to the next. I did a little Google Map math, and figured the direct line from camera to location (about 1600 feet) was a bit too close to push the max range on a set of transceivers, which is rated at 1600 feet. Adding a relay point on a conveniently placed island would cut that distance in half and should assure us a successful flash trigger.
We’ve looked at the exciting work of Dom Romney previously. It seems like his love of American cars remains undaunted. Here’s some very cool behind-the-scenes photos which accompany Dom’s story of how he got the final shot, in his own words.
This technique is fairly unusual. What you do is mount the camera to the car, roll the car along the road, and then—when it’s moving—trigger the camera with a long exposure to give the concept of moving with speed.
To create the illusion of speed is difficult. When I shoot, it’s normally just me and a driver. I have to push the car, so I use the PocketWizard to fire the camera while I’m busy pushing. Below is the unedited picture showing the rig, and also me pushing, to give a better idea of how its done.
Whistler, BC-based photographer Dan Carr’s work has been featured in ski and snowboard magazines from Japan to Canada and everywhere in between. During the winter you will find him shooting alongside the world’s top snow sports athletes and film companies in the never ending quest for perfect images. After a summer season of improving his mountain bike skills, Dan steps in front of the camera and remotely fires off some images. Here’s how he did it in his own words.
As summer drew to a close in Whistler, British Columbia, I was about ready to pack the bike away and dust my skis off when I had an idea……
After a little “vacation” our Making Waves weekly round-up is back. Here are a few recent posts that we have come across that feature PocketWizard products.
Photographer John Flury of Zurich, Switzerland takes us through his own wonderful account of how he created the below final image, from concept to final crew wrap photo.
Telling a Story with a Single Picture
Hello, fellow photon hunters, my name is John Flury, I’m a photographer/photo designer from Zurich, Switzerland, and this is my very first article for the PocketWizard blog. My professional background is in commercial and fine art photography, with the occasional wedding gig. But I’ve always had a passion for stories, especially fictional ones. As a kid, I loved to draw, paint, write stories and record them on tape. The love for creation of alternative worlds, where you could slip off to and go on imaginary adventures, has never quite left me. Which is why in every photo project I work on, I try to keep true to myself and what I most love to do, telling stories.
Patric Söderström is well-prepared. His clients, which include Sweden’s biggest news agency, T.T. Nyhetsbyran, and two soccer teams, Mjällby AIF and Kalmar F.F., know when they hire Söderström, he’s going to get the shots they want. Armed with a veritable arsenal of Nikon bodies, lenses, and PocketWizard radio triggers, Söderström is able to cover an entire field of action with a mere press of one button. Here’s what he wanted to share with us regarding his sports photography.
The photo above is a penalty shot during a game between Kalmar FF and Brommapojkarnas IF in Sweden’s highest league, Allsvenskan. It was the last game Kalmar FF’s goalkeeper Etrit Berisha played before getting transfered to S.S. Lazio in the Italian Serie A. Kalmar was down one goal, 1-2, when they got a penalty kick in the closing minutes of the game. Etrit Berisha stepped up and scored, making the game a draw. During the game he had executed some insane saves, and here he saved another point for his team. A great way for him to say goodbye to the fans. It was shot at Kalmar FF’s home stadium, Guldfageln Arena, in Kalmar. I arrived at the arena about 60 minutes before kickoff.
I got lucky with the shot since he placed the ball in the corner of the goal where I had my Nikon D800. It only shoots four frames per second but when you get the shot, you can really crop a lot to get to the intensity of the picture.
Canadian photographer A.J. Messier is the owner of Hogtown Studios in Toronto, Ontario. His clients include Toronto 2015 Pan American Games, Hockey Hall of Fame, NHL, the Royal Ontario Museum, and Save the Children Canada. No stranger to sports photography, Messier takes us behind-the-scenes of his recent shoot of Damian Warner for Nike.
- Damian Warner, 23 years old, for Nike
- Canadian Olympic Decathalete
- 5th in 2012 Olympics in London
- 3rd in Decathalon IAFF 2013 World Championships in Moscow
I approached Damian Warner’s team about eight weeks ago with an idea of shooting Damian in Toronto. My concept was of him being a mild-mannered urban hipster like a Clark Kent, but with his uniform on he transforms into Superman. They immediately loved the idea, and mentioned to me he had never done a professional photo shoot before they were pretty much up for anything. Damian had just signed a deal with Nike. The logical hook into him, his events, and his Nike gear became my focus. The next issue was how to show Damian doing super human feats while in all the newest and brightest Nike gear and make it look dramatic, fresh, and more importantly stand out from all the other images of athletes over the years.
Dave Hahn of New York’s CSI Photo has been covered on the PocketWizard blog previously. Known for his atypical but exciting camera angles used at sporting events, Hahn covers burst-firing in his own words.
Over the next few months I will be writing about a few of the differences between the PocketWizard MultiMAX transceiver and the Plus® III radio triggers. As you know the Plus III transceiver is packed with a host of great features for the advanced photographer. But, over the next few months I will be explaining some of the more advanced features of the MultiMAX transceivers for when you may want to step up your game.
In this review I am going to talk about how you can set the contact time of the MultiMAX. Why might you want or need to adjust the contact time of you transceiver? Let’s say you shooting sports, where you know where the action is going to be, such as basketball or maybe baseball. And you’re going to be using a camera as a remote from a location that you would not be able to check to see if you are getting the shot you want. Here is where adjusting the contact time would help. If you camera fires at five frames per second and you would like to shoot 3 frames each time you would simply set the contact time to 0.6 seconds. To adjust the contact time you would go into the menu of your receiving MultiMAX by pressing: MENU(*) B A and using the up and down keys to adjust the time.