Whistler, BC-based photographer Dan Carr’s work has been featured in ski and snowboard magazines from Japan to Canada and everywhere in between. During the winter you will find him shooting alongside the world’s top snow sports athletes and film companies in the never ending quest for perfect images. After a summer season of improving his mountain bike skills, Dan steps in front of the camera and remotely fires off some images. Here’s how he did it in his own words.
iso800, f/6.3, 1/320
As summer drew to a close in Whistler, British Columbia, I was about ready to pack the bike away and dust my skis off when I had an idea……
Patric Söderström is well-prepared. His clients, which include Sweden’s biggest news agency, T.T. Nyhetsbyran, and two soccer teams, Mjällby AIF and Kalmar F.F., know when they hire Söderström, he’s going to get the shots they want. Armed with a veritable arsenal of Nikon bodies, lenses, and PocketWizard radio triggers, Söderström is able to cover an entire field of action with a mere press of one button. Here’s what he wanted to share with us regarding his sports photography.
The photo above is a penalty shot during a game between Kalmar FF and Brommapojkarnas IF in Sweden’s highest league, Allsvenskan. It was the last game Kalmar FF’s goalkeeper Etrit Berisha played before getting transfered to S.S. Lazio in the Italian Serie A. Kalmar was down one goal, 1-2, when they got a penalty kick in the closing minutes of the game. Etrit Berisha stepped up and scored, making the game a draw. During the game he had executed some insane saves, and here he saved another point for his team. A great way for him to say goodbye to the fans. It was shot at Kalmar FF’s home stadium, Guldfageln Arena, in Kalmar. I arrived at the arena about 60 minutes before kickoff.
I got lucky with the shot since he placed the ball in the corner of the goal where I had my Nikon D800. It only shoots four frames per second but when you get the shot, you can really crop a lot to get to the intensity of the picture.
Remy, ©Dixie Dixon
When Houston native Dixie Dixon was a student at Klein High School she was paid to photograph Little League games. Wielding her trusty Nikon FG, she made ten dollars per hour, and shot every weekend, including soccer competitions. “Not bad for a kid,” she says, grinning.
Dixon’s father was a hobbyist photographer, and provided her first camera. Her grandfather was a landscape photographer.
Not many professional shooters can match Dixon’s claim of only working as a photographer, but it’s true. She shot for the high school yearbook, and one of her shots made the cover senior year. At that point she decided she wanted to pursue photography for a living.
Photojournalist Jack Haley of MPNnow.com and the Messenger Post Newspapers regularly incorporates PocketWizard radio technology into his daily assignments. Rarely knowing what subject matter and conditions he’s going to find before his arrival, his PocketWizard Plus® II radios are still an integral part of his gear, helping him capture everything from sports action frozen in place to impressive environmental portraits. He recently shared information with us on shoots he completed for “Spring Sports Stars.”
Co-Player of the Year Tommy Wagner of Victor, New York. ©Jack Haley/Messenger Post Newspapers
This baseball player’s action portrait was shot at 1/320 with a Nikon D300s and two Nikon SB-80DX flashes. No diffusers were used.
© Brett Warren
Brett Warren is a Nashville based photographer whose work is at once charming, beautiful, and rich with details that really tell a story. He was recently profiled in Native Magazine and he shot a series especially for them, inspired by the theme of the issue, green and sustainability.
I had wanted to shoot a story inspired by the porcelain figurines that you find at thrift stores, or your grandparent’s curio cabinets, for some time. As far as technique goes, I wanted to be sure and illuminate the girl’s skin to create a shiny highlight that could be translated as porcelain.
I used my trusty PocketWizard Plus II atop my camera to communicate with the built in PocketWizard on my Profoto AcuteB2 kit. It always communicates instantly, and makes for an easy-going shoot with perfect lighting every time. I let the sun flood the back of her head, and filled the front with directional strobe light for an ethereal feel.
© Adam Szarmack
As we all know, weddings (usually) don’t take place in brightly lit football stadiums. Receptions, especially, tend to take place at night and whether they’re indoors or out, the ambient lighting conditions are going to be challenging for the photographer.
Adam Szarmack is a Jacksonville wedding photographer who’s come up with a number of ways of creatively overcoming the low-to-no-ambient-light dilemma from silhouettes to starry nights. 3 photos, 3 lighting diagrams, 3 stories, and very little ambient light follows. (more…)
© 2013 Jim Golden | Styled by Kristin Lane | Assisted by Sam Slater
If there were a king of Things Organized Neatly, Portland-based photographer Jim Golden would almost certainly be it. There are at least two PocketWizard radios amongst all that camera gear. Can you find them?
His meticulously-designed still life compositions can often take up to ten hours just to set up. We asked him about this mother-of-all-camera-collections image. Here’s what he had to say:
“It contains over 190 cameras, lenses and accessories and is a compilation of 20 people’s cameras collections from the Portland, Oregon area. It took roughly ten hours to layout and shoot.”
Photographer Brett Harkness recently shared with us images and diagrams from the book Light & Shoot / 50 Fashion Photos by Chris Gatcum. Here are his thoughts and details behind putting together the images from this shoot.
This image was shot for a clothing company called Love Miss Daisy, which focuses on 1950’s vintage clothing. Taken in the U.K. in July, I decided to end the day long shoot with something a little different. It was around 9pm, the light was fading fast and we were about to wrap up, but I wanted to finish with a bang! I had some smoke bombs with me I’d been looking to use for awhile, so I thought this was the time to give them a go!
Wrapping the model in vintage petticoats I set up the main strobe, an Elinchrom A head with Ranger RX Speed AS pack with a 135cm Octabox. I added a second strobe behind the model to light the fallen tree to the left of the frame and create a rim-lighting effect as it passed through the smoke and across the subject. This head was “naked” to get the most spread from the bulb and had it’s own Ranger pack, both heads on the A channel. It was starting to get dark, but to add further drama I decided to underexpose the scene to give full effect of the strobes.
We love discovering photographers creating great images with interesting use of off-camera flash. Chris Arace is a Detroit photographer who not only uses PocketWizard radio triggers to light his portaits, but his series ”We Are Vacancy” includes images of talent actually handholding speedlights. In his own words, here are his thoughts on his work.
An artistic rebellion of faith and spirit. Eager to create. Created to create. Rise against the onslaught of homogenization in culture, we shall. We Are Vacancy.
The above statement was crafted as part manifesto, part inspiration, and part dedication. It provides a tangible concept for me to visualize and create images for this series of shots. The idea was created while on location last year. I often am running at a fast pace on shoots in some diverse and amazing locations. It was not always possible to create personal, compelling imagery under the time crunch of a production schedule. We Are Vacancy allowed a portable, manageable, and very artistic way to satisfy my personal artistic needs.
©2013 Scott Kelby
The photography instructor behind KelbyTraining.com and host of KelbyTV.com, Scott Kelby is back with an end-of season review of his foray into NFL photography. Here at PocketWizard, it’s been a thing of beauty to watch his journey from remote camera newbie to seasoned pro, all during the course of one football season.
To catch the dramatic intro at a Falcons game, Scott used four cameras: “three mounted and one hand-held — when I fired my hand-held camera, with a PocketWizard [radio trigger] on top, it fired all the three other remotes, all capturing the same moment, but from different angles, perspectives and focal ranges.”
He used a mix of Plus® II’s and borrowed Plus® III’s to fire his cameras, but liked the Plus III’s so much after the game he ordered four of them for himself.
Read the full post to see images from the game as well as his setup. Also see his Q&A with his readers, where the remote cameras were a popular topic.
All images and quotes in this post are used with permission and ©Scott Kelby, all rights reserved; story is ©PocketWizard. Please respect and support photographers’ rights. Feel free to link to this blog post, but please do not replicate or repost elsewhere without written permission.