'off-camera flash' Category

Webinar: An Introduction to Using Off-Camera Fill-Flash to Produce Amazing Portraits

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Learning to control an off-camera flash can be intimidating. But have no fear! We’ll show you how easy it is to produce natural-looking results when adding flash to ambient light.

This valuable, professional technique will make you an instant hit with your clients and give you an edge over the competition. And, it will help you to produce beautiful outdoor portraits virtually anytime and anywhere.

Join host Joe Brady as he shows you a step-by-step method to add just the right amount of light to create natural shape and highlights for location portrait photography. A light meter and a pair of PocketWizard radio triggers make it easy. No more pointing the flash up at the clouds, no more blown-out highlights or missing shadow data – just natural, beautiful results.

Equipment List
PocketWizard Plus X and Plus III Radio Triggers
PocketWizard HSFM3 hot shoe sync cables
Sekonic L-478DR Light Meter
Sony a7r with 70-200mm and 24-70mm f4 lenses
Sony HVL-F60M Flash
Canon 580 EX II Flash
Translucent White Reflector
Silver – Silver/Gold reflector

Date: Thursday, October 16th
Time: 1pm EDT
Title: An Introduction to Using Off-Camera Fill-Flash to Produce Amazing Portraits
Host: Joe Brady
Register/attend here

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What’s up Pussycat? Özkan Özmen goes on a Portrait Safari

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Özkan Özmen at work

Özkan Özmen is a portrait photographer based in Frankfurt Germany with a penchant for photographing subjects that can bite your head off. No, we’re not talking about models and celebrities with attitude here. We’re talking lions, tigers, and rhinos. As Dorothy famously said to the tin man… “Oh MY!”

According to Özkan, he’s always been into things that crawl, chirp, growl, and purr, and it wasn’t long after he began taking shooting studio portraits for a living that he decided to put together a compact lighting kit and try his luck outside of the comforts and convenience of his studio. Özkan Ozmen’s personal project ultimately took him on a multi-continent journey in which he’s captured wonderful portraits of the sort of wildlife most of us only see in zoo and safari parks, though seldom as in-your-face.

Özkan understood the logistics – not to mention danger involved in trying to capture tight portraits of wild animals using lights. Still and all, rather than being technically boxed in by the harsh ambient lighting conditions common to shooting in the extreme locales he planned on visiting, his goal was to light his subjects and select-focus at wider lens apertures similar to the way he would when shooting portraits in his studio.

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Multiple Off-Camera Flash Techniques Webinar

See host Joe Brady as he shows how to put PocketWizard Radio Triggers to use firing multiple off-camera flash units in both studio and environmental on-location portraits. With the addition of the easy to use AC3 ZoneController, you can instantly control and adjust up to three flash zones to create beautiful portrait lighting ratios using both TTL and manual modes — right from the top of your camera!

During this live online video seminar, Joe demonstrated how to take control of light with multiple flash units both alone and with different light shaping tools. Joe also answered questions from the audience live on the studio set.

Check out the archived Webinar and visit the PocketWizard site for more details.

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Dom Romney on Wheels or Water

Dom Romney may very well have been born in the wrong country. A native of the United Kingdom, Romney currently lives in Stansted, north of London, and is huge fan of American racing cars of all types. Heavily influenced by his father’s car collection and love of hot-rodding, the younger Romney grew up with it in his blood. Since then, experimental built-for-speed vehicles, classic muscle cars, nitro-based fire-breathing monsters, vintage restorations, and plethora of drag races involving almost anything resting on four wheels have all been photographed by Romney.

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©Dom Romney

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On Location with Rick Friedman

What happens when you take 16 working pro photographers, a ton of lighting gear, one location lighting expert, and stuff them all into the biggest barn you’ve ever seen? The place really lights up.

LPA recently sponsored and hosted a location lighting workshop for members of ASMP New England with Boston-based photographer Rick Friedman. Rick’s got the energy dial set to maximum pretty much all the time which is definitely part of his success as both a photojournalist and photo educator. He’s also got a bag full of PocketWizard radios which he puts to work in all his lighting work – both with speedlights as well as with studio lights.

ASMP NE and LPA Design's presentation of Rick Friedman's Location Lighting Workshop at the Breeding Barn at Shelburne Farms in Shelburne, VT. ©Chris Rakoczy

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Kevin Kubota’s Knockout Bride in Action

Photographer Kevin Kubota has posted an account of a very cool photo shoot he recently completed.

First off, Kubota stresses the good things which can happen when you shoot with a photography buddy. In this case, it’s his friend Benjamin Edwards. He details how the two shooters collaborated by taking turns setting up shots of the bride and groom, Jenah and Matt. Mutual feedback was critical to getting the best shots, and a great lesson can be learned from this paragraph of Kubota’s post alone.

The theme for this photo shoot was fairly easy to arrive at. Jenah, it turns out, is “a national team boxer.” What better idea than to put her in a ring, wearing a bridal gown, and have her knocking out her groom? Awesome concept, and great execution, guys.

©Kevin Kubota

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Dave Schmidt and the British Invasion

The following account was sent to us by photographer Dave Schmidt, whose day job just happens to be working at LPA, the makers of PocketWizard.

©Dave Schmidt

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Donald Miralle’s View From Above

Photographer Donald Miralle blogged about an assignment for ESPN the Magazine. For a special Photo Issue, Miralle shot the NCAA Men’s Volleyball Championships at Penn State.

Miralle has achieved some beautiful images with his atypical camera angle. In the below photo, we see the emotion of both the winning Ohio State Buckeyes in celebration on the left and the UC Santa Barbara Gauchos walking away dejectedly on the right.

©Donald Miralle for ESPN the Magazine.

In a brief but comprehensive listing, Miralle reports he shot the scene with a Profoto Pro-7b with a Profoto Magnum Reflector and 10 degree grid spot positioned over the net. A second Pro-7b was positioned in the stands. He used a Canon EOS 5D Mark II with the PocketWizard FlexTT5. The PocketWizard technology allowed him to get his shots at an incredible 1/1000th of a second.

“If you haven’t got one of these yet, go out and do it. You won’t have to use a leaf shutter again to freeze action with strobes,” Miralle writes.

Be sure to check out some really fine photography on his site. His blog is worth viewing, too. Miralle is a talent worth following, and we’re excited to see his future work.

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PocketWizard Launches Major ControlTL Firmware Update

PocketWizard users are responding more and more to using off-camera flash at incredible shutter speeds — speeds photographers have been dreaming about since the dawn of flash photography itself. From stopping powdered snow surrounding a professional snowboarder to freezing water droplets as a diver enters a pool, shooters around the world are exploring new worlds of creativity with PocketWizard’s HyperSync technology.

In the recent past, the PocketWizard blog has showcased photographers like Tom Bol, Dave Black, and Chris O’Connell, all of whom are exploiting HyperSync to get shots impossible with any other system.

©Dave Black

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Bry Cox, Master of the Monopod

In high school, Bry Cox took every possible photography class he could to the point the teacher made up a new one so the budding photographer could continue learning. He began his college career by studying photography, and thought taking one business class would help. Cox quickly realized being a photographer means running your own business, so he switched his major and got a degree in Business. He credits this with helping him have a successful career as a photographer.

After college, he got a job at a lab, and learned to print perfect images from his negatives. Cox stayed long enough to save up for his own Hasselblads and lights. At that point he left to start his own studio.

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©Bry Cox

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