In high school, Bry Cox took every possible photography class he could to the point the teacher made up a new one so the budding photographer could continue learning. He began his college career by studying photography, and thought taking one business class would help. Cox quickly realized being a photographer means running your own business, so he switched his major and got a degree in Business. He credits this with helping him have a successful career as a photographer.
After college, he got a job at a lab, and learned to print perfect images from his negatives. Cox stayed long enough to save up for his own Hasselblads and lights. At that point he left to start his own studio.
The city of Memphis has learned what many other U.S. communities have discovered for quite some time. Greenways made from abandoned railways are a huge public asset for citizens to enjoy year round. They create a sense of community, better the local quality of life, and have the added and real fiscal payoff of curbing illness and medical costs as the populace gets healthier from more exercise.
Despite the objections of local naysayers who couldn’t learn from longstanding examples such as Seattle’s gorgeous Burke-GilmanTrail, the Greater Memphis Greenline is now a reality, and local walkers, joggers, cyclists and in-line skaters can attest, it’s a major hit.
Not to be left out of the fun, photographers have been actively capturing some of the folks enjoying this public asset. Possibly the most interesting project happening on the Greenline is a photo rig built and run by Joe Sankey of Sankey Photography. In a recent blog post, Joe details a bicycle rig which features, among other things
a tow-behind trailer
a camera (unspecified make and model, presumably a Nikon due to flash units used)
Sankey goes into some detail about how he set up the rig, and the video shows shots captured of fellow cyclists. Both our readers and ourselves love to see interesting ways PocketWizard technology is applied in the field, and this one definitely is not your typical off-camera flash set-up. Nice work!
Now based in Orange County, California, Garth Milan has moved around the United States since childhood, living everywhere from upstate New York to Puerto Rico to Florida to Washington State. After attending high school in California, he went to Cal State Long Beach to study Photojournalism.
At the age of 19, Milan was a motocross rider and nearly achieved professional rider status. A string of broken bones and other injuries made him reevaluate the odds of earning a living in the sport. Well-into photography by that point, he easily slid into a transition from participant to photographer. “It wasn’t just motocross, either,” he says. “It was other sports like wakeboarding, which was another one I was really into.”
Among other features, he points out using PocketWizard units were much easier for being mobile, versus the line-of-sight solution he was previously employing. Read the blog post and watch his behind-the-scenes video to see how he overpowered the sun both in the shade and in direct sunlight.
Doorhof concludes his review by saying the PocketWizards were “flawless, of course.” See the blog post for full details.
To see more of Frank Doorhof’s work and writing, visit his site and blog.
In the fourth and last episode of Mark Wallace’s latest round of demos, check out this video on how to use a Nikon SU-800 Wireless Speedlight Commander as the master controller for all your flash needs.
Wallace pairs up the SU-800 units with PocketWizard FlexTT5, and goes into detail on the settings of both for optimal flash results.
This free video, almost ten minutes long, has Wallace demonstrating how to set a Nikon camera for optimal results with the new off-camera flash triggering system by PocketWizard. Settings on the PocketWizard gear are covered, as are speedlight settings.
Wallace photographs a model indoors and out. He also covers how to update PocketWizard firmware, an important step to using your new MiniTT1 and FlexTT5. Known in the photo industry for making things clear so photographers can get down to business, this video proves no exception.
“I used multiple off-camera speedlights and different light modifiers to get portraits with impact,” van Niekerk writes. Two lighting set-ups are documented in his post. The photographer used three Nikon SB-900 speedlights, triggered by PocketWizard FlexTT5 units, including an additional one on his camera.
Ending his article with the following paragraph, van Niekerk explains a psychological benefit of using PocketWizard gear, along with total control over his desired light shaping:
“I chose to work with speedlights… because of how much control the new PocketWizard FlexTT5 allows me. Being able to change the power of each flash from my camera, made the shoot easier … and it makes me look so much more in control and cool in front of a client, when I’m not moving around, hurriedly adjusting my flashes’ individual outputs throughout the session.”