Dave Hahn of New York’s CSI Photo has been covered on the PocketWizard blog previously. Known for his atypical but exciting camera angles used at sporting events, Hahn covers burst-firing in his own words.
Dave Hahn at work.
Over the next few months I will be writing about a few of the differences between the PocketWizard MultiMAX transceiver and the Plus® III radio triggers. As you know the Plus III transceiver is packed with a host of great features for the advanced photographer. But, over the next few months I will be explaining some of the more advanced features of the MultiMAX transceivers for when you may want to step up your game.
In this review I am going to talk about how you can set the contact time of the MultiMAX. Why might you want or need to adjust the contact time of you transceiver? Let’s say you shooting sports, where you know where the action is going to be, such as basketball or maybe baseball. And you’re going to be using a camera as a remote from a location that you would not be able to check to see if you are getting the shot you want. Here is where adjusting the contact time would help. If you camera fires at five frames per second and you would like to shoot 3 frames each time you would simply set the contact time to 0.6 seconds. To adjust the contact time you would go into the menu of your receiving MultiMAX by pressing: MENU(*) B A and using the up and down keys to adjust the time.
We’re seeing more and more great work by photographers dusting off their old camera bodies and utilizing them to help cover more action via remote camera triggering. Particularly useful at sporting events, here’s another talented shooter, Dave Hahn, getting different angles for his photojournalism business, CSI Photo in the New York metro area.
We previously covered Dave’s remote camera triggering indoors. Check out all the outdoor images as Dave explains how he executes remote camera triggering in his own words.
Sure, one of the biggest features with PocketWizard Plus III Transceivers is the zones, but when you start looking at some of the additional features the transceivers pack into them, you’d be amazed!
Since you’ve upgraded your DSLR and your Rebel is now collecting dust, you may want to think a little differently. Remote cameras could be the way to go for you. PocketWizard has a couple of great transceivers to start you on your way.
First, there is the PlusX. This is an upgrade from the Plus II with six additional channels. The PlusX is an excellent choice to get you started, and priced just under 100 bucks. But before you dive in, you might want to consider the Plus III. Ed. note: The Plus III, with 32 channels and Quad-Zone triggering, was intended as a replacement to the Plus II. However, the PlusX is a good replacement, as well.
Dave Hahn is a Freelance photographer based in the New York metro area. His primary focus is sports and action photography. Below, Dave explains how he sets up floor-mounted cameras during basketball games using both PocketWizard’s new PlusX transceiver and the Plus III.
If you’re new to remote photography hopefully this will help explain how easy it can be using a camera mounting plate I developed, combined with a couple of transceivers from the folks at PocketWizard.
March 23, 2013: 2013 Women’s NCAA Tournament – University of Idaho @ UConn – Gampel Pavilion Storrs, Connecticut. Mandatory Credit: David W. Hahn / CSI: Photo
Here I’m going to talk about setting up remote cameras for basketball using both the PlusX and Plus III radios triggers. In the image to the right, you can see my set-up for the Women’s NCAA basketball tournament at UConn. The camera was mounted to a plate called a “fplate” (floor plate) and a Plus III was used to trigger the camera from the opposite side of the court.
If you’re new to remote photography, the newly-released PlusX is a great way to go. The benefits of the PlusX transceivers are affordability. It’s the first time PocketWizard radios break the $100 barrier. Next is, its simplicity in design and ease of use. The Plus II’s had only four channels to work with, sometimes making difficult to find an open channel when there are other photographers working the same event. The PlusX radios have ten channels. 1-4 will work with all the older models. With the addition of channels 5-10 you now have six low-use channels that will also work with the Plus III’s and the MultiMAX radios. Setting the channels on the PlusX transceivers is as easy as turning a dial.