© Brett Warren
Brett Warren is a Nashville based photographer whose work is at once charming, beautiful, and rich with details that really tell a story. He was recently profiled in Native Magazine and he shot a series especially for them, inspired by the theme of the issue, green and sustainability.
I had wanted to shoot a story inspired by the porcelain figurines that you find at thrift stores, or your grandparent’s curio cabinets, for some time. As far as technique goes, I wanted to be sure and illuminate the girl’s skin to create a shiny highlight that could be translated as porcelain.
I used my trusty PocketWizard Plus II atop my camera to communicate with the built in PocketWizard on my Profoto AcuteB2 kit. It always communicates instantly, and makes for an easy-going shoot with perfect lighting every time. I let the sun flood the back of her head, and filled the front with directional strobe light for an ethereal feel.
Photographer Brett Harkness recently shared with us images and diagrams from the book Light & Shoot / 50 Fashion Photos by Chris Gatcum. Here are his thoughts and details behind putting together the images from this shoot.
This image was shot for a clothing company called Love Miss Daisy, which focuses on 1950’s vintage clothing. Taken in the U.K. in July, I decided to end the day long shoot with something a little different. It was around 9pm, the light was fading fast and we were about to wrap up, but I wanted to finish with a bang! I had some smoke bombs with me I’d been looking to use for awhile, so I thought this was the time to give them a go!
Wrapping the model in vintage petticoats I set up the main strobe, an Elinchrom A head with Ranger RX Speed AS pack with a 135cm Octabox. I added a second strobe behind the model to light the fallen tree to the left of the frame and create a rim-lighting effect as it passed through the smoke and across the subject. This head was “naked” to get the most spread from the bulb and had it’s own Ranger pack, both heads on the A channel. It was starting to get dark, but to add further drama I decided to underexpose the scene to give full effect of the strobes.