Posts Tagged ‘HyperSync’

Klaus Dyba on Photographing Dogs

BMX photographer Klaus Dyba comes to us from Cologne, Germany, where he recently tried his hand at canine photography – with spectacular results! Here, he gives his account of his Weimaraner shoot and some tips for photographing man’s best friend.

Weimaraner, ©2012 Klaus Dyba

I come from a background in action photography, especially BMX riding, so when my brother-in-law showed up for a visit with his energetic Weimaraner, Charlotte, I thought it would be fun to shoot her in the same style I use for my BMX work.

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ProPhoto Coalition Shares High Flying HyperSync Results

When photographer Tony Donaldson set out to test PocketWizard’s HyperSync technology on the PocketWizard MiniTT1 and FlexTT5 with his Nikon D800, he focused on the two things most important to him: “freezing action and being able to create good light even in crappy, midday sunlight.”

For that, he enlisted the help of gymnast Anna Clols and a trampoline. He was able to overpower the sun and freeze motion (even her hair!) while shooting at 1/2500th. Next, he went to a nearby park where he was able to get beautiful light, even at midday, and a shallow depth of field at 1/1250th.

He concludes:

“Having the versatility to make light bend to my will is absolutely amazing. The PocketWizard Mini and Flex worked flawlessly for the whole shoot. Being able to make well-lit pictures at times of the day when the sun is harsh but not caring is invaluable. There will always be times when this comes in handy, and being well practiced in it and knowing how to do it when it counts adds versatility and makes me look like a hero to my clients.”

Take a look at his results on the ProPhoto Coalition and see his portfolio.

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HyperSync on the Beach

If you haven’t explored the wonders of HyperSync™, here’s a great blog post with some numbers a photographer was able to get.

Impressed by previously mentioned photographers’ results (see below) with PocketWizard’s HyperSync technology, Laurence J. took to the beach with his Canon EOS 7D to see what he could get.

After calibrating, he was able to push his 7D to a sync speed of 1/1250th, far above the camera’s typical sync speed of 1/250th.

This piece opens eyes to the ability of HyperSync, and educates shooters to the types of shots possible with speeds you can get using PocketWizard MiniTT1 radio triggers.

Read the full review and take a look at some of Laurence’s work.

Further reading on HyperSync:
Tom Bol and High Speed Sync
Dave Black Shooting His Dreams
Chris O’Connell Stops Time

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Environmental Portraits of the Multi-talented Richard Pardon

At about the age of eleven, Richard Pardon was given a film camera by his grandfather in Dorset, U.K., who also taught him to develop his own film. Turning professional about a year ago, Pardon has realized a lifelong dream. “For me, it’s more than a job or a career. It’s like a lifestyle or a passion,” he says. He credits no two days being the same as making photography a rewarding career.

Drenched

©Richard Pardon

Although his grandfather gave him his start with film, Pardon has learned everything about digital photography by teaching himself. With books and DVDs, a trial-and-error approach has helped him not only develop his technical knowledge, but his own photographic style. He credits his autodidacticism with enabling him to work in different areas of photography, including portraiture, automotive, landscape, and stock work. The road hasn’t been easy, but the work is worth it, he feels.

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Chris Garrison’s Broken Mirror

We’ve previously featured sports photographer Chris Garrison several times on the PocketWizard blog. On Alliance Wakeboard’s site he recently documented a shoot he did with Nate Perry. Garrison had an idea for a shot he wanted to get, which Perry describes in the post as “[not] too hard. It was just a cab 180 nose press, early pass back backside 180 out.” Sounds simple, right?

To capture this shot, Garrison used a Nikon D2x, Elinchrom Ranger heads and packs, and tied it all together with a PocketWizard FlexTT5 and PowerST4 units. He points out that he used HyperSync technology to help him shooting in the harsh, flat light of 12 noon. Garrison has written about HyperSync previously.

Garrison also did some experimentation with a broken mirror he found on the side of the road. Is there nothing this photographer won’t try? Don’t miss all the details at the full post.

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Scott Markewitz, From Extreme Moves to the Other Side of the Camera

For almost thirty years, Scott Markewitz has been living in Salt Lake City, Utah. Originally attracted to the area for skating, skiing, and other outdoor activities, he now takes advantage of all the photographic opportunities available year-round. With his involvement in skiing, cycling, running, climbing, and other sports, he knows the best locations for many kinds of photographic setups no matter what season.

Markewitz skied as a hobby, and eventually turned pro after earning a degree in Marketing from the University of Utah. As a professional, he skied for many photographers and even flew down the slopes in a few movies. “I definitely gained a lot of experience working with the photographers at the time, so I guess you can call that my photographic training,” he says. “I went from one side of the camera to the other.”

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©Scott Markewitz

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Chris Garrison on HyperSync

Photographer Chris Garrison has shared his thoughts on HyperSync technology with us. You can learn more about Chris and his work by visiting his site and his blog

HyperSync

IMAGE ACTION 5

1/800th at f/7.1.

HyperSync(TM) is the single largest game changer for photographers using studio-type flashes. As photographers, we are once again taking part in another evolution of our industry. I consider the introduction of HyperSync technology by PocketWizard to be as large as the digital format transition. We are no longer just freezing motion with shutter speed or light, we are actually painting light onto the frozen motion.

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Mark Teo, with Flair and Honesty

Mark Teo is brutally honest. He will give you completely unfiltered opinions of anything you ask for. He is especially honest about himself. In the age of self-promotion via social media, this young photographer’s approach is refreshing, at the very least.

“Born and bred in Singapore,” is how Teo first describes himself. This is quickly followed by “I dropped out of engineering school.” Doing poorly in all his subjects, Teo reevaluated what he wanted to do with his future.

At the time, he was an active aggressive inline skater. This sport got him interested in video and photography because his friends often filmed what they were doing. This was in the days just before digital filmmaking was becoming accessible, so Teo was immersed in film.

A1

©Mark Teo

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Tom Bol and High Speed Sync

©Tom Bol

Photographer and educator Tom Bol has a great post on his blog regarding syncing his Elinchrom Quadra at 1/2500. Bol used PocketWizard FlexTT5 and MiniTT1 radio triggers with a Quadra head, shooting a Nikon D300S with a 14-24mm f/2.8 lens.

This highly informative post is not to be missed, particularly if you’re an Elinchrom user. Bol goes into detail not only how he achieved his sample shots, but the science of what’s going on, and how to avoid unwanted results. He also details the handiness of using the PocketWizard AC3 Zone Controller to set the output on an Elinchrom Ranger.

Be sure you don’t miss this informative post if you’re interested in high speed sync without clipping. Don’t forget to check out the great imagery Bol is capturing when not educating shooters on how to do the same by visiting his site.

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Dave Black Shooting his Dreams

In 1980, Dave Black began photographing sports by working the Olympics that year. Since then, he’s covered 12 Olympic games and countless world championships, international competitions, and national sports championships in the United States and other countries. He’s also covered professional football, baseball, basketball, motorsports, and others. Tennis, golf, and college sports have also graced his portfolio. He worked for Golf Digest for five years, and has had long relationships with Newsweek, TIME, and Sports Illustrated. With thirty years of experience, there’s not many sports Black hasn’t covered.

Motocross 4

©Dave Black

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